Jacques Ibert – Composer – Concertino Da Camera for Alto Saxophone and Chamber Orchestra () – Music Sales Classical. Jacques Ibert. Concertino da camera, for alto saxophone & 11 instruments. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓.
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By the s many of France’s leading composers were jazz besotted, and Ibert was no exception. His saxophone concertino not only appropriates jazz’s most characteristic instrument, but employs plenty of syncopation and, in the slow section, some bluesy material.
Still, this is not crossover music, but a classical piece inspired by a few specific pop trends of the day. The brief work begins with an Allegro con moto entering with a raucous blast from the small ibdrt of strings and winds.
The soloist quickly bursts in with a percolating tune that eventually makes way for a second subject that croons in the saxophone’s high register. Here and in the very brief development section, Ibert maintains a close, complex interplay between the soloist and the little band; indeed, the saxophone is reduced to noodling conceryino the background when the strings take over the second subject.
The Larghetto is a lonely, bluesy solo that sends the saxophone gliding oh-so-gradually up and down its entire ibett, with the strings entering at length to provide simple support for the sax’s ballad-like material. Eventually the woodwinds provide their own paraphrase of the theme, followed by a string statement.
Without a break, the concluding Animato molto arrives with jittery material over which the saxophone javques and hovers. One of the soloist’s main themes is lyrical but still syncopated.
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Concertino da camera (Ibert) – Wikipedia
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Share on facebook twitter tumblr. The Art of Saxophone. Under the Sign of the Sun. Music for Saxophone and Orchestra. The History of the Saxophone in Words and Music. Divertiment; Concertino da Camera; Francis Poulenc: